Circadian Cylinder
A mechanical shade that moves as the day progresses: at sunrise the cylinder lowers to reveal the light source, encouraging a natural awakening; in the evening it covers the source, directing light downwards.
I design and make functional objects, mostly lighting. I also support creative businesses with the operating side.
I'm looking for one or two days a week with a studio that designs and builds in house. Or a coffee, if you know someone I should meet. Email me.
A mechanical shade that moves as the day progresses: at sunrise the cylinder lowers to reveal the light source, encouraging a natural awakening; in the evening it covers the source, directing light downwards.
Mechanical shades move with the sun to direct light according to the energy needed for the activity of any given time of day.
A pendant with dual light sources above and below a solid disc, allowing light allocation to shift with the time of day without mechanical components.

When I first worked for Netflix back in 2013, I was enamoured by the Hermès folio. It was simple, slender, sophisticated. Beyond that, it was also highly functional. For many years I sought something similar for myself, at a price I could justify. Eventually I realised that if I wanted something that would meet my brief, I'd have to create it myself. So in 2022 I finally took the time to design the satchel and find a local production partner. The piece has aged beautifully and it's part of my daily wardrobe.

Similar to the laptop envelope, I realised that what I wanted simply didn't exist. So again, I designed the piece and had it constructed by the same person who crafted my laptop folio. I designed it around Moleskine large - my go-to writing book since 2023. Again, I wanted to craft something simple and functional, so the cover simply holds up to two Moleskines and a credit card, so that I can visit a cafe and write without the distraction of a device nearby.


Back in 2019 I was living in a studio apartment that didn't have an obvious place for a bedside table, nor a lamp. However a light source near bed was non-negotiable, so I had to find an alternative solution. Around the same time, I found a glass light shade that I loved at an antique store in Warrimoo in the Blue Mountains. So naturally, I decided I had to create a lamp with the shade I'd found. I sourced the remainder of the components from a Brisbane store, opting for brass to complement without distracting from the beauty of the glass. The long cable allowed for flexible placement. More recently, it sits above my dining table.


I created the first version of this clothesline in 2018, to sit atop a stairwell - a space-saving exercise of course. With version 2, I set out to create something a little more polished. Timber edging with aluminium outer rods for rigidity and rust resistance, with clothesline string through the centre of the unit. The string has been strung in a way that creates additional lift, because clothes are heavy when wet. The new model sits on my balcony - again a space-saving exercise, particularly important in a small space to hang wet clothes, otherwise they take far too long to dry. Oh, and I don't like the dryer, nor do I have one in my apartment.


When I moved into my flat, I knew I needed to buy some new seating for my dining table, which sat in the centre of the room near a window. I also knew that I'd need more storage. Solving both those problems in a cost-effective and aesthetic way was proving impossible, so again, I decided to take it into my own hands. The end result combines open storage with a comfortable cushion for the bench seat. The exposed ply adds to the character and the colour palette fits nicely in the space.


Designed to match the bench seat, I again used exposed marine ply with a single shelf for magazines and accessories. I sized it around a travertine floor tile I sourced on Marketplace.


[Jackson to supply]
Hi, my name is Jackson. I'm turning a lifetime hobby of designing and creating functional objects into a profession. I love lighting and natural materials.
I spent a long time behind a keyboard for corporations, building systems where they didn't exist and relentlessly optimising where they did. Working with products I didn't connect with gave me the drive to automate and fix so that I didn't need to keep on doing it. That superpower is aching to be applied to a world that I am more passionate about.
In my spare time I help other creatives run their businesses - operations and logistics, finance and accounting, building systems to help them scale, without losing touch with the passion and craft.